
Copyright © OCTAMAS AG 2000-2021. All rights reserved.
New @ OCTAMAS
ATLAS LENS CO. ORION SERIES 2X ANAMORPHIC T2.0
- Classic Anamorphic Look
- True Front Anamorphic
- T2.0: 40, 65, 100mm
- Painterly waterfall bokeh and signature but controlled flare
New @ OCTAMAS
- Bright and Sharp
- Daylight viewable, 1000 nits
- True Front Anamorphic
- 7”, 1920x1080
New @ OCTAMAS
- Toning down skin imperfections while having a limited effect
on contrast or highlights
- Reduces Subject Blemishes and Wrinkles
- Glowing Effect for Skin Tones
- No Over-bloomed Highlights
New @ OCTAMAS
Simulates the anamorphic streak effect with virtually any lens, anamorphic or not.
New @ OCTAMAS
Simulates the anamorphic streak effect with virtually any lens, anamorphic or not.
New @ OCTAMAS
Uses all of the True-Streak colors in one filter. A combination factor of the focal length of the lens and the brightness of the light source will determine the effect of this filter; from a soft colorful halo to bright bursts of multiple colors.
New @ OCTAMAS
- Easy to set-up
- Hot-swap Batteries
- Power for Cameras and Accessories
- Modular and Reliable
New @ OCTAMAS
- Modular, robust, lightweight
- Single, 2 and 3 Stages, one rotating
- Clamp-on or Rod-mounted 15mm, 19mm
- Swing-Away
- Tilt Arm Module
- Top/bottom and side flags
- Set of spherical and anamorphic–formatted mattes
New @ OCTAMAS
- Diopters up to +3 can be fitted
- can be used at the back of a 4” x 5.65” clip-on matte box or LMB 4x5
- or independently with a rear-mounted clamp adapter
- Split diopters can be adjusted with an integrated friction wheel
4 cameras are available
Full Set now available: 18, 25, 35, 50, 85mm
New @ OCTAMAS
Reduces fogging or freezing in very humid and/or cold environments.
New @ OCTAMAS
Sturdy telescoping bracket that positions the electronic ARRI and RED viewfinders at the back of the camera.
The leveler enables the eyepiece to remain still while you tilt the camera up or down.
New @ OCTAMAS
New @ OCTAMAS
New @ OCTAMAS
Converts LBUS protocols to serial protocols and vice versa, delivering distance readings to the WCU-4.
New @ OCTAMAS
VISTA VISION MONSTRO Sensor in RED WEAPON 8K VV
- 40.96 mm x 21.60 mm (Diag: 46.31 mm)
- great dynamic range
- improved noise performance
- 60 fps at 8K
- complete Arri accessories
New @ OCTAMAS
- Auto-Collimator from Hanse Inno Tech
- 300+ LP/mm 8K Siemens Star
- CA: See and even measure Chromatic Aberrations
- Color Matching: Check any lens set or zoom for colour matching and finding the look, whether cool, neutral or warm.
- 5 axis of alignment
New @ OCTAMAS
- FULL FRAME, Vista Vision
- T1.5: 20, 24, 35, 50, 85mm
- T2.0: 14 und 135mm
- High image performance
- Compact, light-weight
New @ OCTAMAS
- FULL FRAME
- 28, 38, 58, 88mm
- Historic optical elements: Helios 58
- Classical lower contrast rendering
- Ultra responsive to flaring
- Interchangeable aperture disks (ovals, soft focus, defocus distortion, apodised, translucent etc)
- f/2.0 aperture throughout the range
- Pleasing balance of resolution and character
Rental + Reseller in Switzerland
- FULL FRAME, Vista Vision
- T1.5
- 35mm, 85mm (25, 50mm in November, 18mm beginning next year)
New @ OCTAMAS
- FULL FRAME
- 28cm close-focus
- Curved iris for beautiful, soft bokeh
New @ OCTAMAS
- FULL FRAME
- 1:1 macro
- T2.9 to T32
- T-stop / distance guide on the side of the lens for T-stop compensation
New @ OCTAMAS
- Ultra-wide angle
- Covers S35
- Compact, light-weight
New @ OCTAMAS
- 1.6x Extender
- 1.6x Expander: increases the image circle of S35 PL lenses to Full Frame, Vista Vision sensor coverage
- 7-element optical design to ensure the integrity of the original lens’ performance
- Light fall off is a manageable 1.36 stops
New @ OCTAMAS
- Protects from waterdrops
- When water hits the filter, it spreads into a film over the glass instead of forming droplets. This helps to maintain a clear view under a variety of weather conditions and for taking photos or video around water.
- https://vimeo.com/77810604
New @ OCTAMAS
- Truly neutral, no color shifts
- Up to 10 stops: 0.3 - 3.0
- Full Spectrum Neutral Density: high-end ND filter line for the critical color standards, that controls the IR within the full visible spectrum and into the near infra-red.
- Neutrality-Vectorscope Test:
https://www.schneideroptics.com
- RHOdium FSND Comparison Test: https://www.schneideroptics.com
The new HELIUM sensor arrived.
- Vastly improved noise performance
- RAW & ProRes or DNxHD Recording simultaneously
→ OCTAMAS Equipment
Our two ALEXA Minis arrived.
- Super-lightweight carbon body
- Exchangeable lens mounts
- Internal 4:3 & ARRIRAW recording
- Integrated lens motor control and ND filters
- Up to 200 fps with full image quality
→ OCTAMAS Equipment
Drone for ARRI ALEXA Mini or RED WEAPON with PL-Mount lens and Arri remote focus. By request with experienced pilots.
→ OCTAMAS Equipment
Gimbal for ARRI ALEXA Mini or RED WEAPON with PL-Mount lens and Arri remote focus. By request with experienced operator.
→ OCTAMAS Equipment
- Functionality like the 2575, but more lightweight
- 150mm bowl
- OConnor CINE HD and CINE HD Baby tripods
→ OCTAMAS Equipment
- Industry Workhorse
- 15mm lightweight and 19mm studio rod support
→ OCTAMAS Equipment
- Clamp-on
- lightweight
- 2 or 3 filter stages, 4x4 / 4x5.65"
- Top flag & Mattes
→ OCTAMAS Equipment
The new Anti-Reflection Frames (4x5.65”) allow one or two glass filters to be stacked and angled, providing a quick and elegant solution for reducing unwanted reflections.
→ OCTAMAS Equipment
- The latest wireless video transmission technology
- Uncompressed 3G SDI/HDMI HD video signal transmission
with zero delay
- 500ft+ (150m+) transmission distance
→ OCTAMAS Equipment
- 28,8V/14Ah switchable 14,4V/28Ah
- Deep Discharge Protection
- LCD Power Control
- Built-in Charger
→ OCTAMAS Equipment
- Timecode generator
- Syncs Video & Audio
- Super small, lightweight 30g
- Batteries lasting for up to 40 hours
- Setup via laptop or smartphone
→ OCTAMAS Equipment
Our RED WEAPONs also support the Avid DNxHR/HD codec. You can choose to record ProRes or Avid DNxHR/HD only, or simultaneously with REDCODE RAW.
Our RED WEAPONs are now outfitted with the ActionProducts Power Modules (Proteus, Electra, V-Mount).
Wireless Video System ActionProducts Eclipse 500 can be mounted inside.
- Built in puffer battery allowing hot swap functionality
- 2x 12V D-Tap
- 2x 12V (2 or 4 pin Lemo)
- 1x 24V (regulated Fisher 3 pin)
- 5V connector
- 12V power out (option for remote camera on/off)
- 1x in/out 12V camera power 4pin XLR
- 1x in/out 12V camera power 6pin LEMO (RED Weapon)
- Uncompressed 3G SDI/HDMI HD video signal transmission
with zero delay
- 500ft (150m) transmission distance
→ OCTAMAS Equipment
Our second RED WEAPON arrived.
- ProRes Recording 4K & 2K
- RAW Recording 16-bit
- RAW & ProRes Recording Simultaneously
- Automatic Sensor Calibration (Black Shading)
- New Cooling System (Quieter Camera)
- Two LCD/EVF Outputs
- 3D LUT, 1D LUT
- ...
→ OCTAMAS Equipment
- Perfect Matte-box for gimbals and drones
- 98g and 195g with shade
- Clip-on, 4x5.65, two filter stages
- Retractable Top Flag
- no filter reflections, tilting filter trays
- 15mm lightweight and 19mm rod support
- wider field of view, up to 14mm Cooke S4
→ OCTAMAS Equipment
Our first RED WEAPON arrived.
- ProRes Recording 4K & 2K
- RAW Recording 16-bit
- RAW & ProRes Recording Simultaneously
- Automatic Sensor Calibration (Black Shading)
- New Cooling System (Quieter Camera)
- Two LCD/EVF Outputs
- 3D LUT, 1D LUT
- ...
→ OCTAMAS Equipment
OCTAMAS is NOW the official RED Authorized Rental House in Switzerland.
Our RED EPIC DRAGON Menu Guide is updated to v6.0.44.
OCTAMAS meets old friends and expands the international wet workings again, while spotting the latest trends in hard- and software and the very latest camera equipment.
- A classic look in a modern design
- Image Circle wider than 35mm in diameter, easily covers
RED 6K and ARRI Open Gate
- Focal length of 18, 25, 35, 50, 75 and 100mm
- Fast maximum aperture of T2.0
- Smaller, lighter cine lenses
- Extremely high resolution
- Creamy Sharpness (organic texture and feel to the image)
- Keep sharp details without loosing the pleasing smoothness of
skin tones
→ OCTAMAS Equipment
- One of the most underrated cine lens sets
- set includes 20, 25, 35, 50, 85 and 135mm
- Fast maximum aperture of T2.0
- Circular 9 blade iris delivering a beautiful bokeh
- Robust, full metal construction
- Consistent gear positions allow fast and easy lens changes
- Excellent color rendition
- Not too sharp, not too contrasty
→ OCTAMAS Equipment
10x zoom lens, achieves a resolution of 4K and beyond. Superb image quality from open aperture, color reproduction matches the entire Optimo lens series. Extremely well-controlled distortion and breathing. Cinematic look.
→ OCTAMAS Equipment
Compact and light weight zoom lens, achieves a resolution of 4K and beyond. Superb image quality from open aperture, color reproduction matches the entire Optimo lens series. Extremely well-controlled distortion and breathing. Cinematic look.
→ OCTAMAS Equipment
Compact and light weight zoom lens, achieves a resolution of 4K and beyond. Superb image quality from open aperture, color reproduction matches the entire Optimo lens series. Extremely well-controlled distortion and breathing. Cinematic look.
→ OCTAMAS Equipment
Easily attachable on the front of the Optimo Style 16-40mm zoom, it allows you to shoot wide angle 12mm at 16mm with an Optimo Style 16-40mm.
→ OCTAMAS Equipment
Are specifically designed for the Optimo zoom lenses to maintain the rendition of their image quality while extending their focal ranges.
→ OCTAMAS Equipment
Allows the Angénieux lenses to be used on cameras with Canon EF-Mount.
→ OCTAMAS Equipment
Single channel hand unit, motor controller and lens motor to control focus, iris or zoom. Backlit focus knob, adjustable friction, on-screen display for lens data.
→ OCTAMAS Equipment
Adjustable and lockable lens support for 19mm studio spaced rods.
More than 20 different Canon lenses starting from 8mm up to 400mm.
Small, lightweight and fully adjustable follow focus, hard stops for still lenses.
Adapts 15mm lightweight accessories to 19mm studio spaced rods.
For lenses with and without 3/8” / 1/4” screw holes, 15mm lightweight rods.
0.8 Pitch, for use of still lenses with follow focus and remote focus.
For all Lens-Filter-Combinations and Matte-boxes.
Our RED EPIC DRAGON Menu Guide is updated to v6.0.28.
In order that we can devote all our time to the customers and their projects, we will update the news later.
Our Menu Guide for the new RED EPIC DRAGON is ready for download:
DRAGON, 4K, Post-production
OCTAMAS visits BVE, latest equipment, workshops.
For the 5th anniversary of OCTAMAS, we organise an extraordinary christmas concert in Zurich.
Contemporary, classic music of the Swiss Composer Enrico Lavarini.
The Swiss composer Enrico Lavarini is conducting his own symphony orchestra and a 40-voice choir. Featuring
soprano Carmela Konrad, tenor Karl Jerolitsch and baritone Samuel Zünd. Wonderful, unusual Christmas
music to delight people of all ages.
We warmly like to invite our customers to this concert: If you did not receive an invitation, please send an e-mail: mail@octamas.com
We updated our Menu Guides for RED EPIC
to camera firmware beta build v5.
New for rent:
RED MOTION Titanium Canon EF-MOUNT
Global Shutter + 8x electronic ND Filter (0.48 - 2.4 ND),
IR Cut Filter
New for rent:
RED MOTION Titanium PL-MOUNT
Global Shutter + 8x electronic ND Filter (0.48 - 2.4 ND),
IR Cut Filter
OCTAMAS meets up with old friends and expands the international networking.
We spot the latest trends in hard- and software and the very latest camera equipment.
We updated our Menu Guides for RED EPIC & SCARLET to
camera firmware release build v4.0.18
In order that we can devote all our time to the customers and their projects, we will update the news later.
OCTAMAS meets up with friends. Newest trends/equipment in film industry.
New for rent: Blackmagic Cinema Camera
with Canon EF Mount
13 Stops Dynamic Range
2.5K RAW + ProRes and DNxHD (1920 x 1080)
Production: Volta Films
OCTAMAS: Camera, Digital Cinema Services
Production: Alexander Meier
OCTAMAS: Camera, Digital Cinema Services
Production: Solid & Hallerfilm AG
OCTAMAS: Camera, Digital Cinema Services
4K is big. Nr. 1 in Amsterdam
Alexander Christ, Franziska Larissa Dingetschweiler,
Hans-Georg Daun at IBC 2012
Production: Manifesto
OCTAMAS: Camera, Digital Cinema Services
Production: Michael Wolf
OCTAMAS: Camera, Digital Cinema Services
Production: Turnus Film
OCTAMAS: Camera, DIT, Digital Cinema Services
Production: MellowMoodProduction
Producer/Director: Humbi Entress
Camera: Ralph Baetschmann
OCTAMAS: Camera Equipment, Digital Cinema Services
Production: Benjamin Aellen
OCTAMAS: Camera, Digital Cinema Services
Production: Langfilm, Bernhard Lang AG
Produzenten: Anne-Catherine Lang, Olivier Zobrist
Camera: Filip Zumbrunn
Editing: Myriam Flury
Music: Marcel Vaid
Script: Stefanie Veith
Director: Ivana Lalovic
Post-Production: OCTAMAS: First Light für die Rushes, Dailies (iPad),
Datenmanagement, Color Grading, VFX, Mastering, DCP
Camera
Equipment: OCTAMAS
Production: Condor Films BBA
OCTAMAS: Camera, Digital Cinema Services
Production: EQAL Visual Productions
OCTAMAS: Camera, DoP, DIT, Digital Cinema Services
4K is Number 1. It's a pleasure to see all the lovely digital cinema friends
from all over the world again..
Production: Consuelo Frauenfelder
OCTAMAS: Camera, Digital Cinema Services
Production: Zweihund
OCTAMAS: Camera, Digital Cinema Services
Production: shamans in building
OCTAMAS: Camera, Digital Cinema Services
Production: T & C Film
OCTAMAS: Camera, Digital Cinema Services
The latest hardware upgrades are installed in our cameras.
Production: Ruedi Haller
OCTAMAS: Camera, Digital Cinema Services
Production: frame eleven
OCTAMAS: Camera, Digital Cinema Services
Screening in IMax Cinema at Verkehrshaus Luzern,
biggest screen in Switzerland
Our RED EPIC-M cameras, RED Touch-screens, DSMC Side-handles and
REDmotes are back from RED Digital Cinema and upgraded to the
latest hardware and firmware
Production: Redstone Productions
OCTAMAS: Camera, Digital Cinema Services
Production: Zweihund
OCTAMAS: Camera, Digital Cinema Services
Production: Zweihund
OCTAMAS: Camera, Digital Cinema Services
OCTAMAS meets digital cinema friends.
Big hug to California.
See you next year.
OCTAMAS at the biggest convention for film and broadcast.
So much fun and tired legs.
Last time we talked to Bob. RIP Bob. We will miss you so much.
Production: Zweihund
OCTAMAS: Camera, Digital Cinema Services
Production: Apoint Film
OCTAMAS: Camera, Digital Cinema Services
Production: RBF Filmstore
OCTAMAS: Camera, DIT, Ton, Digital Cinema Services
Kunde: Allenspach & Partner
Production: RJ41 Productions
OCTAMAS: Camera, DIT, Digital Cinema Services
with
David Leitner, Independent Filmmaker and DoP
Hugo Gaggioni, Sony Electronics Inc.
Larry Thorpe, Canon USA Inc.
Stuart English, Red Inc.
Production: Encore Pictures
OCTAMAS: Camera, DIT, Digital Cinema Services
Production: KOI Productions
Post-Production: OCTAMAS
Production: Rosas'n'Co Films
OCTAMAS: Camera, Digital Cinema Services
Production: RBF Filmstore
OCTAMAS: Camera, DIT, Ton, Digital Cinema Services
Production: Michael Steiner
OCTAMAS: Camera, Digital Cinema Services
Production: OCTAMAS
Post-Production: OCTAMAS
Agency: Gothuey & Partner
OCTAMAS: Camera, Digital Cinema Services
Production: OCTAMAS
Post-Production: OCTAMAS
Agentur: Wunderman / Futurecom
OCTAMAS: Camera, Digital Cinema Services
Production: Rosas'n'Co Films
OCTAMAS: Camera, DIT, Digital Cinema Services
Production: Rosas'n'Co Films
OCTAMAS: Camera, DIT, Digital Cinema Services
Production: 2:1 Film
OCTAMAS: Camera, Digital Cinema Services
OCTAMAS: Camera, DIT, Digital Cinema Services
Production: Simon Jaquemet
OCTAMAS: Camera, DIT, Digital Cinema Services
Production: RBF Filmstore
OCTAMAS: Camera, DIT, Digital Cinema Services
Production: HesseGreutert Film
EPIC, SCARLET, On Set Workflows, Postproduktion Workflows, BackUps, Conversions, Log, etc.
Production: Guave Studios
OCTAMAS: Camera, Digital Cinema Services
Production: Simon Jaquemet
OCTAMAS: Camera, DIT, Digital Cinema Services
EPIC, SCARLET, On Set Workflows, Post Produktion Workflow, BackUps, Conversion, Log, etc.
Production: Pumpkin Film
OCTAMAS: Camera, DIT, Digital Cinema Services
Production: OCTAMAS
Post Production: OCTAMAS
Production: visualscience.net
OCTAMAS: Camera, Digital Cinema Services
Production: HesseGreutert Film
Producer: Simon Hesse, Valentin Greutert Camera: Marco Barberi Script and Director: Jan Poldervaart
Post Production: OCTAMAS: First Light for Rushes, Dailies, Data Management, Color Grading, VFX, Mastering, DCP
Camera Equipment: OCTAMAS
Production: RBF Filmstore
OCTAMAS: Camera, DoP, Digital Cinema Services
Friends and Biergarden beside interesting Digital Cinema News
Production: RBF Filmstore
OCTAMAS: Camera, Director, DIT, Digital Cinema Services
Production: Yeahh Productions
OCTAMAS: Camera, Digital Cinema Services
Production: Filmakademie Baden-Württemberg
OCTAMAS: Camera, Digital Cinema Services
Production: Rosas'n'Co Films
OCTAMAS: Camera, DIT, Digital Cinema Services
Production: RBF Filmstore
OCTAMAS: Camera, DoP, Digital Cinema Services
Four RED EPIC cameras are ready to rent
Production: Freestudios
OCTAMAS: Camera, Digital Cinema Services
Production: boutiq ag
OCTAMAS: Camera, Digital Cinema Services
Production: stories ag, Combo Entertainment
OCTAMAS: Camera, DIT, Digital Cinema Services
Ted Schilowitz from RED Digital Cinema shows live recorded images from EPIC on one of the biggest 4K screens world wide - the IBC Big Screen.
As well he demonstrates the EPIC with Canon Mount, Canon lenses and autofocus.
We see how a MacBook Pro plays back realtime EPIC 5K RAW Files. Ted uses Sonnet's Echo™ Express PCIe 2.0 Expansion Chassis with Thunderbolt™ Ports and RED Rocket.
Franziska Dingetschweiler and Alexander Christ are happy to unveil these gadgets.
Alexander Christ, Franziska Larissa Dingetschweiler, Stephan Glattfelder at IBC 2011 in Amsterdam. Focus on Digital Cinema.
Production: Vesar Film
OCTAMAS: Camera, Digital Cinema Services
Production: Freestudios
OCTAMAS: Camera, Digital Cinema Services
Production: Essence Film
OCTAMAS: Camera, DIT/AC, Digital Cinema Services
Production: Freestudios
OCTAMAS: Camera, Digital Cinema Services
Production: stories ag
OCTAMAS: Camera, DIT, Digital Cinema Services
Production: Redstone Productions
OCTAMAS: Camera, Digital Cinema Services
Production: 4-Films, Uptstart
OCTAMAS: Camera, DIT, Digital Cinema Services
Production: Encore Pictures
OCTAMAS: Camera, Digital Cinema Services
Production: stories ag
OCTAMAS: Camera, DIT, Digital Cinema Services
Production: Pumpkin Film
OCTAMAS: Camera, DIT, Digital Cinema Services
Second EPIC-M is ready for your shoot.
4 more EPIC Cameras will come along.
Production: stories ag
OCTAMAS: Camera, Digital Cinema Services
Production: CF Film, Glass Film
OCTAMAS: Camera, Digital Cinema Services
Production: Box Productions
OCTAMAS: Camera, Digital Cinema Services
Production: Simon Jaquemet
OCTAMAS: Camera, DIT, Digital Cinema Services
Production: crossmotion ag
OCTAMAS: Camera, Digital Cinema Services
Production: Redstone Productions
OCTAMAS: Camera, Digital Cinema Services
The first EPIC-M arrived at OCTAMAS.
2nd EPIC-M will follow.
Octamas visited the Red Studios (formerly Ren Mar Studios), the RED Store, for training, market analysis and site selection
Jim Jannard, owner of RED Digital Cinema, thanks to us has become a new fan of Swiss chocolate. The event was an occasion for networking, for partys(AJA, Maxx Digital, CML ...) and to meet the RED community and the friends among them.
Production: Catpics Coproductions AG
in behalf of Swiss Television SRF & ARD
Producer: Alfi Sinniger Camera: Martin Fuhrer Edit: Mike Schaerer Music: Fabian Römer Compilation: Maya Fahrni Script: Urs Bühler Director: Tobias Ineichen
Post Production: OCTAMAS:
First Light on Set for Rushes, Dailies (iPad for SRF), Datamanagement, Color Grading, VFX, Mastering
DIT: OCTAMAS
Camera Equipment: OCTAMAS
Post Production: OCTAMAS
Sound & Sonddesign: OCTAMAS
Agency: Hochspannung
Production: Phocus Services Ltd
Sound: OCTAMAS
Production: Christian Ammann
Post Production: OCTAMAS
Production consulting: OCTAMAS
Sound & Sonddesign: OCTAMAS
Agency: Gyselroth
Production: RBF Filmstore AG
OCTAMAS: Camera, Digital Cinema Services
Production: Spartans Films
OCTAMAS: Camera, Digital Cinema Services
Production: Elefant Films
OCTAMAS: Camera, Digital Cinema Services
OCTAMAS: Camera, Digital Cinema Services, Support
Production: OCTAMAS
Post Production: OCTAMAS
Agency: OCTAMAS
Cast: OCTAMAS
Production: OCTAMAS
Post Production: OCTAMAS
Production: Condor Films AG
OCTAMAS: Camera, Digital Cinema Services
Production: OCTAMAS
Post Production: OCTAMAS
Agency: Jung von Matt
Production: WirzFraefelPaal
OCTAMAS: Camera/D.I.T./Assistent Camera, Digital Cinema Services
Production: Taranta Films
OCTAMAS: Camera, Digital Cinema Services
Production: Annakin
OCTAMAS: Post production
Over the past weeks we upgraded our hard- and software in post production. In addition to the installation of a powerful uninterruptible power supply, new video server and LTO-BackUp we use a DaVinci system with 10-bit monitoring for color grading.
Production: Museum of the History of Medicine/Palma 3
Curation: Beate Schappach & Ronny Trachsel
Head of the Collection: Dr. phil. historian Christoph Mörgeli
OCTAMAS: Post production, set-up of the digital media stations
→ Summary on SF - Swiss television
→ Medizinhistorisches Museum
Production: Dschoint Ventschr
Director: Sabine Boss
Camera: Roland Schmid
with Stephanie Glaser and Noah Weber
OCTAMAS: Cameras, Digital Cinema Services
Production: Network Movie
Director: Josh Broecker
Camera: Arthur Arweiler
with the actors Robert Atzorn, Julia Brendler and Oliver Wnuk
OCTAMAS: Cameras
Production: WirzFraefelPaal
OCTAMAS: Camera/D.I.T., Digital Cinema Services
Production: Shining Pictures
OCTAMAS: Camera/D.I.T., Digital Cinema Services
Production: Zweihund
OCTAMAS: Camera
Production: Kutti MC/C-Films
OCTAMAS: Post production
Production: OCTAMAS
Post production: OCTAMAS with Encoding for HTML5
Agency: Jung von Matt
Production: Rosas'n'Co Films
OCTAMAS: Camera/D.I.T., Digital Cinema Services
Production: Rosas'n'Co Films
OCTAMAS: Camera/D.I.T., Digital Cinema Services
Production: Pumpkin Film
OCTAMAS: Camera/D.I.T., Digital Cinema Services
Production: Christian Ammann
OCTAMAS: Post production, Edit: Franziska Larissa Dingetschweiler
Production: Condor Films
OCTAMAS: Director: Franziska Larissa Dingetschweiler
Production: Lorenz Suter
OCTAMAS: Camera
Production: frame eleven
OCTAMAS: D.I.T., Digital Cinema Services
Production: Encore Pictures
OCTAMAS: Camera/D.I.T., Digital Cinema Services
Production: nhb kreation
OCTAMAS: D.I.T./Assistent Camera, Digital Cinema Services
Production: Doug Aitken Workshop
OCTAMAS: Service production, Operators, Camera/D.I.T.
Production: Rosas'n'Co Films
OCTAMAS: Camera/D.I.T., Digital Cinema Services
OCTAMAS: Camera
Production: 400asa
OCTAMAS: Camera, Digital Cinema Services
Production: Hugofilm Productions
Script and Director: Bindu de Stoppani
Camera: Pietro Zürcher
with Claire Price, Glen Blackhall, Enzo Scanzi
OCTAMAS: Camera
Production: Snakefilm
Director: Markus Fischer
Camera: Brian D. Goff
with Mathias Gnädinger, Jürg Löw and Gilles Tschudi
OCTAMAS: Camera/D.I.T., Digital Cinema Services, Dailies for the Swiss Television
Produkcion: Dreamtool Entertainment/C-Films
OCTAMAS: Camera/D.I.T., Digital Cinema Services & Supervising
Production: Encore Pictures
OCTAMAS: Camera/D.I.T., Digital Cinema Services
As of now Swiss television is watching the Dailies on the iPad. Many thanks to SF for their openness for brand-new technologies and workflows.
Der elegante Weg via iPad spart dem Produzenten Transportkosten, Zeit und Ärger.
Since today four RED ONE MX upgraded to the new M-X sensor are available at OCTAMAS. Mysterium-X provides the camera with a vastly improved low-light performance and higher dynamic range.
In addition a not updated RED ONE is available.
Production: Rosas'n'Co Films
OCTAMAS: Camera/D.I.T., Digital Cinema Services
Production: prod2deMayn
OCTAMAS: Camera/D.I.T., Digital Cinema Services
Production: Simon Jaquemet
OCTAMAS: Camera
Production: Onfilm
OCTAMAS: Camera/D.I.T., Digital Cinema Services
Since today two RED ONE's up graded to the new sensor are available at OCTAMAS. Mysterium-X provides the camera with a vastly improved low-light performance and higher dynamic range.
The Film Website is online. A Cihan Inan Film, produced by C-Films, producer Anne Walser, Production Manager: Sina Schlatter.
OCTAMAS supported this feature arround RED ONE on set and in post production.
→ 180° - The Cinema Feature Film directed and written by Cihan Inan
Production: Encore Pictures
OCTAMAS: Camera/D.I.T., Digital Cinema Services
Production: Rytz.tv
OCTAMAS: Camera/D.I.T., Digital Cinema Services
Octamas-impressions of world-wide Digital Cinema exhibitions, events und REDucation with different focal points.
Current: The first pictures of a working EPIC!
Las Vegas: REDucation, CML Party, RED DAY, NAB 2010
Los Angeles: Swiss Consulate General of Switzerland event for creatives
Interesting get-together for Swiss Artists in Los Angeles. We were part of a smart, elegant and generous network event. Swiss General Consul Bruno Ryff hosted all the different Artists.
Pictures in the new photo Digital Cinema gallery:
Alexander Christ & Franziska Larissa Dingetschweiler: Networking & exchange of knowhow with Digital Cinema Specialists and Filmmakers.
Pictures available on the new photo gallery.
On RED Day, we saw a fully functioning prototype of the new Digital Cinema Camera EPIC and many other new, interesting products like RED Ray, RED Matte Box, new Accessories etc.
Pictures available on the new photo gallery.
Franziska Larissa Dingetschweiler and Alexander Christ @ NAB: New Products, interesting events and smart parties. Gallery with photos from NAB 2010.
Hans-Georg Daun, Franziska Larissa Dingetschweiler and Alexander Christ at REDucation in Las Vegas - Clipfinder 2.5 teached by Steve Freebairn
Agency: TWFE
OCTAMAS: Director, DP, Support
Location: Movie Studio Bali
Agency: MD70 LONDON
Production: JN Production Paris
OCTAMAS: Camera, Support
Upgrading to EPIC & Scarlet sensor Mysterium-X is completed. Since today the new sensor is available at OCTAMAS. Mysterium-X provides the camera with a vastly improved low-light performance and higher dynamic range.
OCTAMAS' RED One 419 has been sent off to be upgraded to the brand new Mysterium-X sensor. The sensor offers a better dynamic range and vastly improved low-light capability.
Production: Snap Film
OCTAMAS: camera/D.I.T, support
Production: Langfilm AG
OCTAMAS: camera, support
Meeting in Jakarta, Indonesia
OCTAMAS' Franziska Larissa Dingetschweiler and Alexander Christ are visiting local post production and RED rental houses, as well as meeting up with color timers and producers.
Check out the news from August 2009
Corporate movie
OCTAMAS: concept, production, post production
OCTAMAS & Movie Studio Bali: camera operator, RED ONE supervision during pre- and post production and on set, coaching and consulting
Training for the Movie Studio Bali crew: Hands on Camera - Workflow - Post Production
Production: Pulse Films London
OCTAMAS: Location scout, RED ONE cameras 419 & 420, focus puller, D.I.T.
OCTAMAS is honored to have been invited to the Movie Studio Bali, Indonesia, as business consultants. On November 21, Franziska Dingetschweiler and Alexander Christ are leaving for the tropical island in order to get to know the local film industry and to set up a training plan for domestic artists and crew. Business in Zurich will be carried on as usual.
Production & director: Christian Ammann
Advertising agency: Hochspannung
OCTAMAS: cinematographer, RED ONE camera 419, D.I.T., post production
Production: Pumpkin Film
OCTAMAS: camera/D.I.T., support
TV-commercial for a research project
Client: Stefano Balestra
OCTAMAS: concept, production, post production
Production: Pumpkin Film
OCTAMAS: camera/D.I.T., support
Congrats to Annakin and Christian Ammann to:
Audience favorite FirstGlance Film Fest Philadelphia
"Best Film - International Music Video" London Independent Film Festival
HD Fest New York City
Franziska Larissa Dingetschweiler and Alexander Christ at IBC 2009 in Amsterdam - Digital Cinema.
Production & director: Peter Hebeisen
OCTAMAS: camera operator, camera/D.I.T., support
Production: Zweihund
OCTAMAS: camera, D.I.T., support
Production: Zodiac Pictures Ltd.
OCTAMAS: RED ONE supervision during pre- and post production and on set
3x 360°-Projections
Production: Geonex
OCTAMAS: cinematographer, camera/D.I.T., support
Production: C-Films
OCTAMAS: camera operator, camera/D.I.T., support
Production: Pumpkin Film
OCTAMAS: camera/D.I.T., support
Clipfinder-developer Hans-Georg Daun and Alexander Christ at RED Community Day, Los Angeles
The Menu Guide for the RED ONE beta build ist online
OCTAMAS produce a corporate movie for Bellingua.
Corporate movie for Mobimo Tower
OCTAMAS: post production support, VFX, compositing, finishing
Production: C-Films
OCTAMAS: RED ONE supervision during post production
Artist: Faraz
OCTAMAS: concept, production, post production
Production: TV3 - Televisio de Catalunya
OCTAMAS: camera/D.I.T., camera assistant, support
Congrats to Annakin and Christian Ammann on the win at the London Independent Film Festival LIFF
The Menu Guide for the new RED ONE beta build is online
Production: C-Films AG
OCTAMAS: RED ONE supervision during pre- and post production and on set
Dramatic scenes
OCTAMAS: concept, production, post production
Production: Snap Film
OCTAMAS: camera/D.I.T, camera assistant, support
Production: Pumpkin Film
OCTAMAS: camera/D.I.T, camera assistant, on set edit & color correction
Production: Pumpkin Film
OCTAMAS: camera/D.I.T, camera assistant, on set edit & color correction
Director: Ciril Braem Tscheligi
OCTAMAS: camera/D.I.T, camera assistant, support
Production/director: Chrsitian Ammann
OCTAMAS: camera/D.I.T, camera assistant, post production: edit, color grading, compositing
This morning at 7:45 we shot what is probably the first ever child birth recorded on a RED ONE. The little boy and his mum and dad are healthy and well. Congrats from all of the Octamas team!
RED ONE and Weisscam
Director: Christian Ammann
Director of Photography: Pascal Walder
OCTAMAS: camera/D.I.T., camera assistant, support, post production
Congrats to Luzius Rüedi, Marco Barberi, Snap Film and Bossa Film on the prime time screening of their feature "Sunny Hill" at the Solothurn Film Festival
Production: Leguan Productions AG
OCTAMAS: camera/D.I.T, camera assistant, support
Production: Snap Film
OCTAMAS: camera/D.I.T., camera assistant, support
OCTAMAS are setting up a film production glossary explaining the terminology of the RED ONE, Digital Cinema and filmmaking in general.
Artist: Faraz
OCTAMAS: concept, production, post production
19 PM at Media Campus Zurich. We show the RED ONE, the Birger Mount and the RED ONE post-production workflow. The evening is organised by our partner enterprise Light + Byte.
Thanks to GROB Metallbau for helping us out.
Production: Pumpkin Film
OCTAMAS: camera/D.I.T., AC, support
Production: Pixit SA
OCTAMAS: camera/D.I.T., AC, support
Production: Onfilm AG
OCTAMAS: 2nd unit camera/D.I.T., AC, support
Production: JKP Studio
OCTAMAS: camera/D.I.T., AC, support
Production: Alexander Meier Productions
OCTAMAS: 2nd unit camera/D.I.T., AC, support, post production
Production: Bluepark AG
OCTAMAS: camera/D.I.T., AC, support
Production: Jung von Matt/Limmat
OCTAMAS: DoP, camera/D.I.T.
Production: Geonex
OCTAMAS: director, camera-crew, post production
In January 2009, we will leave our current garage headquarter for a beautiful island. The new Octamas headquarter will be based in the heart of Zurich and will include a screening room for our customers.
Build 16 is out - RED ONE is out of beta. We installed build 16 on our RED ONE #419. #420 is still on build 15, if a producer likes to shoot with build 15.
Production: Pumpkin Film
OCTAMAS: camera/D.I.T., support
Production: Alexander Meier Productions
OCTAMAS: camera/D.I.T., support
First lessons about RED ONE Camera for AC- and directorclass.
Zurich University of Applied Sciences
OCTAMAS: concept, production, post production
Production: Snap Film
OCTAMAS: camera-crew, post production
Production: Snap Film
OCTAMAS: camera-crew, post production support
Production: Snap Film
OCTAMAS: camera-crew, post production support
Production: JKP Studio
OCTAMAS: camera/D.I.T., support
One of the RED ONEs in exibition at Light & Byte Common events and trainings will follow.
Production: Plan B Film
OCTAMAS: camera/D.I.T., support
Testing the RED ONEs and defining the workflow on set and in post-production. Start with RED ONE rental, production and post production.
RED ONEs #419 & #420 arrived at Octamas this morning! Testing started!